Table of Contents (10, 2026)
Tomáš Murár and Fabio Tononi A Commentary on the Work of Alois Riegl and Edgar Wind[pdf] pp. 1-6, DOI: 10.53245/EWJ-000054
Bernardino Branca A Note Giorgione’s Tempesta with Comments on Giorgione Poetic Allegories by Edgar Wind[pdf] pp. 7-16, DOI: 10.53245/EWJ-000055
Special Issue: The Vienna School of Art History IV: für Riegl / gegen Riegl – Second Part
Michael Gubser Introduction: Reflections on Riegl Today[pdf] pp. 17-23, DOI: 10.53245/EWJ-000056
David Castriota Alois Riegl: Ornament and History[pdf] pp. 24-40, DOI: 10.53245/EWJ-000057
Francesca Bottura From the Darwinianische Evolutionslehre to the Geisteswissenschaft: Max Dvořák on Alois Riegl’s Positivistic Art History[pdf] pp. 41-64, DOI: 10.53245/EWJ-000058
Mariana Levytska Ukrainian Art Historiography of the 1900–1920s and Riegl’s Vision of Art History: Fedir Sсhmit’s Art Theory as a Case Study[pdf] pp. 65-87, DOI: 10.53245/EWJ-000059
Michail Chatzidakis Riegl, Schmarsow, Worringer and the Question of Ornament: A Paradigm Shift at the Turn of the Twentieth Century[pdf] pp. 88-104, DOI: 10.53245/EWJ-000060
Rebeka Vidrih The Position of the Italian Renaissance in Alois Riegl’s Art Historical Structure[pdf] pp. 105-117, DOI: 10.53245/EWJ-000061
Nikola Beim Anamnesis of the Cult[pdf] pp. 118-132, DOI: 10.53245/EWJ-000062
Katja Schröck Between Purism and Conservation: St Vitus Cathedral in Prague in the Context of Riegl’s Theory of Monument Values[pdf] pp. 133-157, DOI: 10.53245/EWJ-000063
Vesna Krmelj Alois Riegl’s Spatial Conception of Salzburg and Its Afterlife in France Stele’s Ljubljana[pdf] pp. 158-180, DOI: 10.53245/EWJ-000064