Fabio Tononi
NOVA University of Lisbon
https://orcid.org/0000-0002-2113-0694

Volume 8, April 2025


 

Abstract                                                                                                                                                                                          The eighth issue of The Edgar Wind Journal focuses on the art of Leonardo da Vinci and Michelangelo Buonarroti and Edgar Wind’s interpretation of their works. Wind devoted several studies to the two Renaissance artists, some published and other still unpublished. In this issue, Bernardino Branca analyses Wind’s Leonardo Papers, Pablo Schneider reflects on Wind’s investigation of Michelangelo’s pictorial language, and Ang Li offers a new perspective on the display modalities of Michelangelo’s Pietà and Bruges Madonna.

[pdf]

Bibliography

Anderson, Jaynie, Bernardino Branca, and Fabio Tononi (eds), Edgar Wind: Art and Embodiment (Oxford: Peter Lang, 2024).

Wind, Edgar, ‘The Crucifixion of Haman [by Michelangelo]’, in Journal of the Warburg Institute, 1 (1938), 245-8.

Wind, Edgar, ‘An Eighteenth-Century Improvisation in a Leonardo Drawing’, in Old Master Drawings, 13: 52 (1939), 49-50.

Wind, Edgar, ‘The Lion Filled with Lilies: A Reminiscence of Leonardo in Hogarth’, in Journal of the Warburg and Courtauld Institutes, 6 (1943), 222-3.

Wind, Edgar, ‘Sante Pagnini and Michelangelo: A Study of the Succession of Savonarola’, Mélanges Henri Focillon, in Gazette des Beaux-Arts, 6: 26 (1947), 211-46.

Wind, Edgar, ‘The Ark of Noah: A Study in the Symbolism of Michelangelo’, in Measure, 1 (1950), 411-21.

Wind, Edgar, ‘Mathematics and Sensibility’, in The Listener, 47 (1 May 1952), 705-6.

Wind, Edgar, ‘The Last Supper’, in The Listener, 47 (8 May 1952), 747-8.

Wind, Edgar, ‘Leonardo as a Physiognomist’, in The Listener, 47 (15 May 1952), 787-8.

Wind, Edgar, ‘Michelangelo’s Prophets and Sibyls’ (1965), in Proceedings of the British Academy, 51 (London: Oxford University Press, 1966), 47-84.

Wind, Edgar, The Religious Symbolism of Michelangelo: The Sistine Ceiling, ed. by Elizabeth Sears, with essays by John O’Malley and Elizabeth Sears (Oxford: Oxford University Press, 2000).

Wind, Edgar, Die Bildsprache Michelangelos (1936), ed. by Pablo Schneider (Berlin: De Gruyter, 2017).

 

 

The Edgar Wind Journal 8: 1-3, 2025
DOI: 10.53245/EWJ-000039
Copyright: © 2025 F. Tononi. This is an open access, peer-reviewed article published by Bernardino Branca