Fabio Tononi, B.A., M.A., M.A., Ph.D., is editor-in-chief of the Edgar Wind Journal. He is also member of the committee of the Centre for the Study of Cultural Memory, Institute of Modern Languages Research, School of Advanced Study, University of London. His research interests include the relationship between Moses Maimonides and Baruch Spinoza, the work of Aby Warburg, the aesthetics of Sigmund Freud, and the relationship between art and cognitive neuroscience – specifically as it relates to memory, imagination, empathy, the unfinished, motion, and emotion. Previous to this, Tononi was convenor of the Aby Warburg Reading Group and Seminar at the Italian Cultural Institute, London (2020), and convenor of the Seminar on Freedom and Free Will at the Warburg Institute (2018–2020). Tononi received a Ph.D. in Aesthetics and History of Art from the Warburg Institute, School of advanced Study, University of London (Supervisor: David Freedberg; Examiners: Vittorio Gallese and Andrea Pinotti); an M.A. in Art History, Curatorship and Renaissance Culture from the Warburg Institute, in collaboration with the National Gallery of London (Supervisor: David Freedberg); an M.A. in Art History from the University of Florence (Supervisor: Maria Grazia Messina); and a B.A. in Art History from the University of Parma (Supervisor: Arturo Carlo Quintavalle). He also held an internship at Villa I Tatti, the Harvard University Center for Italian Renaissance Studies, in Florence. His publications include: ‘Ideology and Memory in Fabio Mauri’s Performances and Writings from 1970s: An Example of Institutional Critique in Italy’, ARTisON, 9 (2019), pp. 107-124; ‘Aesthetic Response to the Unfinished: Empathy, Imagination and Imitation Learning’, Aisthesis: Pratiche, linguaggi e saperi dell’estetico, 13 (2020), pp. 135-153; ‘Andrea Mantegna and the Iconography of Mourners: Aby Warburg’s Notion of Pathosformeln and the Theory of Aesthetic Response’, IKON: Journal of Iconographic Studies, 13 (2020), pp. 79-94; ‘Intermediality and Immersion in Gaudenzio Ferrari’s Adoration of the Magi in Chapel V of the Sacred Mountain of Varallo’, PsicoArt: Rivista di Arte e Psicologia, 10 (2020), pp. 1-18; and ‘The Aesthetics of Freud: Movement, Embodiment and Imagination’, Reti, saperi, linguaggi: Italian Journal of Cognitive Sciences, forthcoming.